A young insurance agent flies to central Italy to evaluate the library of an eccentric Prince. She will learn about the man's terrifying past and encounter the very essence of evil.
Review

When the third act comes along, we are treated to Hammeresque horror, with Englund taking the ham from Hammer. Within the context of the big picture, it is a slow attempt at rekindling old Hammer horror, but without the grown-up scares. That said, it is actually pretty good at what it does. The first two acts are emotional, intriguing enough to keep watching, and the final payoff is splendid.
Perrella does a good job, baring in mind of the 29 films he directed, only the last three weren't of the, um, adult nature, and while it's not the horror it perceives itself to be, it is quite watchable. Maybe we'll coin the term, cozy-horror?
For horror fans who want a watchable Sunday afternoon movie, with a nice cup of tea.
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